Categories: Cameras & Photography, Camera Accessories, Camera Lenses,
<b>More Versatile Than You Expect!</b><b>75mm T29 Anamorphic FF1.6X</b>One with the most noticeable anamorphic look among SIRUI lenses. Narrow FOV, shallow DOP, distortion-free images. Versatile focal length for both long shots and close ups. Filmmaking has never been easier with this lens.<b>An All-Round Player</b>This lens, with a 1.6x squeeze factor, behaves like a 46mm horizontally while retaining the vertical FOV of a 75mm, suitable for capturing close ups and distant subjects. This lens enables the camera to see well to the left and right, leaving filmmakers more space for composition.<b>High Resolution Wide-Screen Images</b>Two aspect ratios are here for your choice. When shooting 3:2, this lens offers a 2.4:1 aspect ratio, whereas shooting 16:9 yields a significantly wider 2.8:1 aspect ratio. You\'ll have no problem getting super crisp wide-screen shots on this lens, with the subject being exceptionally sharp yet the background soft and natural.<b>Subtle Lens Flares</b>Point the lens at a light source to get a horizontal blue lens flare that the anamorphic lens is famous for. The subtle and natural blue streaks stand out for adding a Sci-Fi ambience to your shots without being too aggressive.<b>Creamy Oval Bokeh</b>Due to the 1.6x squeeze factor, light spots in the distance are vertically stretched into pleasing oval bokeh providing a more dreamy and abstract background over regular lenses. Soft and creamy background blur further separates the subject, delivering a flattering cinematic look to your shots.<b>Sense of Compression</b>Distance is not a thing to worry about. When shooting with this lens, things in the distance seem to be zoomed in to form a close connection with the subject, offering a unique sense of compression.<b>Consistent Cine Lens Housing</b>75mm lens maintains the same solid build quality as its 50mm brother. It features a fully metal body, an 82mm filter thread and a 1/4"-20 threaded hole. Focus and aperture rings are geared with the same position as the 50mm for easy lens switching.<b>1+1>2</b>Want to have your ideas precisely conveyed to the audience? Want to have the subject and background presented more subtly? Then 50mm T2.9 plus 75mm T2 9 would be a great combination you don\' t wanna miss.<b>Native Mounts</b>Given the rise in popularity of full-frame mirrorless cameras, this lens offers native E mount, compatible with most full frame mirrorless and cinema cameras on the market.